Children/Young Adult Book Awards: 2020-Present

Living in a new country is no walk in the park―Nao, Hyejung, and Tina can all attest to that. The three of them became fast friends through living together in the Himawari House in Tokyo and attending the same Japanese cram school. Nao came to Japan to reconnect with her Japanese heritage, while Hyejung and Tina came to find freedom and their own paths. Though each of them has her own motivations and challenges, they all deal with language barriers, being a fish out of water, self discovery, love, and family.

Maybelline Chen isn’t the Chinese Taiwanese American daughter her mother expects her to be. May prefers hoodies over dresses and wants to become a writer. When asked, her mom can’t come up with one specific reason for why she's proud of her only daughter. May’s beloved brother, Danny, on the other hand, has just been admitted to Princeton. But Danny secretly struggles with depression, and when he dies by suicide, May's world is shattered.
In the aftermath, racist accusations are hurled against May's parents for putting too much “pressure” on him. May’s father tells her to keep her head down. Instead, May challenges these ugly stereotypes through her writing. Yet the consequences of speaking out run much deeper than anyone could foresee. Who gets to tell our stories, and who gets silenced? It’s up to May to take back the narrative.

Maizy has never been to Last Chance, Minnesota . . . until now. Her mom’s plan is just to stay for a couple weeks, until her grandfather gets better. But plans change, and as Maizy spends more time in Last Chance and at the Golden Palace—the restaurant that’s been in her family for generations—she makes some discoveries.For instance:
You can tell a LOT about someone by the way they order food.
People can surprise you. Sometimes in good ways, sometimes in disappointing ways.
And the Golden Palace has secrets...
But the more Maizy discovers, the more questions she has. Like, why are her mom and her grandmother always fighting? Who are the people in the photographs on the office wall? And when she discovers that a beloved family treasure has gone missing—and someone has left a racist note—Maizy decides it’s time to find the answers.

12-year-old Jordan feels like he can't live up to the example his older sister set, or his parent's expectations. When he returns home from school one day hoping to hide his suspension, Los Angeles has reached a turning point. In the wake of the acquittal of the police officers filmed beating Rodney King, as well as the shooting of a young black teen, Latasha Harlins by a Korean store owner, the country is at the precipice of confronting its racist past and present.
As tensions escalate, Jordan's father leaves to check on the family store, spurring Jordan and his friends to embark on a dangerous journey to come to his aide, and come to terms with the racism within and affecting their community.

Young Kalia has never known life beyond the fences of the Ban Vinai Refugee Camp. The Thai camp holds many thousands of Hmong families who fled in the aftermath of the little-known Secret War in Laos that was waged during America's Vietnam War. For Kalia and her cousins, life isn't always easy, but they still find ways to play, racing with chickens and riding a beloved pet dog.
Just four years old, Kalia is still figuring out her place in the world. When she asks what is beyond the fence, at first her father has no answers for her. But on the following day, he leads her to the tallest tree in the camp and, secure in her father's arms, Kalia sees the spread of a world beyond.

Nina lives in San Francisco with her parents, and she loves visiting her two grandmas across the world. Follow Nina as her two trips unfold side by side: Young readers will love poring over the details of what is the same and what is different at Nana’s home in England and at Nenek’s home in Malaysia. In each place, Nina wears different clothes, plays different games, and eats different food. But so much about visiting Nana and Nenek is the same, from warm hugs at the airport to beach days and bedtime snuggles. Nina is equally at home across the world in Malaysia or England, and both of her grandmas love her to California and back.

Seventeen-year-old Lily Hu can't remember exactly when the feeling took root—that desire to look, to move closer, to touch. Whenever it started growing, it definitely bloomed the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. Suddenly everything seemed possible.
But America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father—despite his hard-won citizenship—Lily and Kath risk everything to let their love see the light of day.

Fourteen teens who have grown up together in Japantown, San Francisco.
Fourteen teens who form a community and a family, as interconnected as they are conflicted.
Fourteen teens whose lives are turned upside down when over 100,000 people of Japanese ancestry are removed from their homes and forced into desolate incarceration camps.
In a world that seems determined to hate them, these young Nisei must rally together as racism and injustice threaten to pull them apart.

It’s the last few days of an amazing trip to Pakistan, and Amina finds it hard to leave the sights, the shops, and, most of all, her family. As she heads back to Greendale to start seventh grade, the experience has changed her, and she’s eager to share it with her friends.
At home, though, Amina discovers her friends don’t seem interested in hearing about her trip. With everyone growing in different directions, Amina wonders where she belongs—especially after her school presentation on Malala goes sideways, leaving her feeling like nobody understands both her worlds. When Amina turns to songwriting, a boy named Nico who shares Amina’s love for music becomes a welcome new friend. Will Amina find a way to remain true to herself, and to honor everyone and everything that make her who she is?

Junie Kim just wants to fit in. So she keeps her head down and tries not to draw attention to herself. But when racist graffiti appears at her middle school, Junie must decide between staying silent or speaking out.
Then Junie’s history teacher assigns a project and Junie decides to interview her grandparents, learning about their unbelievable experiences as kids during the Korean War. Junie comes to admire her grandma’s fierce determination to overcome impossible odds, and her grandpa’s unwavering compassion during wartime. And as racism becomes more pervasive at school, Junie taps into the strength of her ancestors and finds the courage to do what is right.
Finding Junie Kim is a reminder that within all of us lies the power to overcome hardship and emerge triumphant.

While driving through Ohio in an old Pontiac, a young girl's Chinese immigrant parents spot watercress growing wild in a ditch by the side of the road. They stop the car, grabbing rusty scissors and an old paper bag, and the whole family wades into the mud to gather as much as they can.
At first, she's embarrassed. Why can't her family just get food from the grocery store, like everyone else? But when her mother shares a bittersweet story of her family history in China, the girl learns to appreciate the fresh food they foraged—and the memories left behind in pursuit of a new life.
Together, they make a new memory of watercress.

If you are Isamu, stones are the most special of all.
How can they be so heavy?
Would they float if they had no weight?
James Yang imagines a day in the boyhood of Japanese American artist, Isamu Noguchi. Wandering through an outdoor market, through the forest, and then by the ocean, Isamu sees things through the eyes of a young artist . . .but also in a way that many children will relate. Stones look like birds. And birds look like stones.
Through colorful artwork and exquisite text, Yang translates the essence of Noguchi so that we can all begin to see as an artist sees.

In 1935, ten-year-old Alex Maki from Bainbridge Island, Washington is disgusted when he’s forced to become pen pals with Charlie Lévy of Paris, France―a girl. He thought she was a boy. In spite of Alex’s reluctance, their letters continue to fly across the Atlantic―and along with them, the shared hopes and dreams of friendship. Until the Japanese attack on Pearl Harbor and the growing Nazi persecution of Jews force them to confront the darkest aspects of human nature.
From the desolation of an internment camp on the plains of Manzanar to the horrors of Auschwitz and the devastation of European battlefields, the only thing they can hold onto are the memories of their letters. But nothing can dispel the light between them.

Kiku is on vacation in San Francisco when suddenly she finds herself displaced to the 1940s Japanese-American internment camp that her late grandmother, Ernestina, was forcibly relocated to during World War II.
These displacements keep occurring until Kiku finds herself "stuck" back in time. Living alongside her young grandmother and other Japanese-American citizens in internment camps, Kiku gets the education she never received in history class. She witnesses the lives of Japanese-Americans who were denied their civil liberties and suffered greatly, but managed to cultivate community and commit acts of resistance in order to survive.

When Lily and her family move in with her sick grandmother, a magical tiger straight out of her halmoni's Korean folktales arrives, prompting Lily to unravel a secret family history. Long, long ago, Halmoni stole something from the tigers. Now they want it back. And when one of the tigers approaches Lily with a deal--return what her grandmother stole in exchange for Halmoni's health--Lily is tempted to agree. But deals with tigers are never what they seem! With the help of her sister and her new friend Ricky, Lily must find her voice...and the courage to face a tiger.

Acclaimed, award-winning author Linda Sue Park has placed a young half-Asian girl, Hanna, in a small town in America’s heartland, in 1880. Hanna’s adjustment to her new surroundings, which primarily means negotiating the townspeople’s almost unanimous prejudice against Asians, is at the heart of the story.

Before he became an artist named Tyrus Wong, he was a boy named Wong Geng Yeo. He traveled across a vast ocean from China to America with only a suitcase and a few papers. Not papers for drawing--which he loved to do--but immigration papers to start a new life. Once in America, Tyrus seized every opportunity to make art, eventually enrolling at an art institute in Los Angeles. Working as a janitor at night, his mop twirled like a paintbrush in his hands. Eventually, he was given the opportunity of a lifetime--and using sparse brushstrokes and soft watercolors, Tyrus created the iconic backgrounds of Bambi.

Meet Danbi, the new girl at school!
Danbi is thrilled to start her new school in America. But a bit nervous too, for when she walks into the classroom, everything goes quiet. Everyone stares. Danbi wants to join in the dances and the games, but she doesn't know the rules and just can't get anything right. Luckily, she isn't one to give up. With a spark of imagination, she makes up a new game and leads her classmates on a parade to remember! Danbi Leads the School Parade introduces readers to an irresistible new character. In this first story, she learns to navigate her two cultures and realizes that when you open your world to others, their world opens up to you.